Contemporary Peruvian Narrative and Popular Culture: Jaime by Robert Ruz

By Robert Ruz

This booklet offers the 1st examine the dynamic resurgence of Peruvian narrative because the past due Nineties. Talk-show host Jaime Bayly's seven novels have scandalized Lima's society with their therapy of homosexuality and feature attracted checklist revenues during the Spanish-speaking international with their fascinating new edition of Lima slang and concentrate on McOndo issues. collage lecturer Iván Thays has vigorously hostile this gentle narrative via supplying a 'high' cultural replacement. His 3 novels have performed a tremendous function within the regeneration of Peruvian tradition because the fall from strength of President Alberto Fujimori. Madrid-based Jorge Eduardo Benavides' narrative has provided an aesthetically tough and explicitly politicized replacement. His marrying of aesthetics and politics stands in value along Mario Vargas Llosa and José María Arguedas by way of the mediation among tradition and politics in Peru because the 1930s.. ROBERT RUZ accomplished his PhD at Cambridge college less than the supervision of Geoffrey Kantaris. En este libro se ofrece los angeles primera perspectiva del dinámico resurgimiento que ha experimentado l. a. narrativa peruana desde finales de los angeles década de los noventa. Las siete novelas de Jaime Bayly, presentador de televisión, han escandalizado a los angeles sociedad limeña debido al tratamiento que en ellas se da al tema de l. a. homosexualidad y han generado un récord de ventas por todo el mundo de habla hispana debido a su apasionante recreación del argot limeño y a su concentración en los temas del grupo McOndo. El profesor de universidad Iván Thays se ha opuesto firmemente a esta literatura gentle, ofreciendo en su lugar una alternativa culta. Sus tres novelas han desempeñado un importante papel en l. a. regeneración de los angeles cultura peruana desde l. a. caída del poder del Presidente Alberto Fujimori. l. a. narrativa de Jorge Eduardo Benavides, radicado en Madrid, ha presentado una alternativa estéticamente estimulante y explícitamente politizada. Por lo que respecta a los angeles mediación entre los angeles cultura y los angeles política en el in line withú desde los angeles década de los años treinta, los angeles hard work de unificación de l. a. estética y l. a. política de Benavides se halla, en cuanto a importancia, al nivel de Mario Vargas Llosa y José María Arguedas.

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Additional resources for Contemporary Peruvian Narrative and Popular Culture: Jaime Bayly, Iván Thays and Jorge Eduardo Benavides (Monografías A)

Sample text

However, though it would be possible to read Bayly’s protagonists in terms of being social outlaws, the emphasis is very much on subversion/undermining in Bayly: the term used in almost every media reference to Bayly is ‘estilo irreverente’ – a description that is very close to Bersani’s ‘spectacles of politically impotent disrespect’ (in his critique of Butler). However, the question of a specific Lima-centred context means that Bayly’s spectacles of disrespect on his talk shows and in his narratives are far from being ‘politically impotent’.

This later novel also contains an explicit account of the problems created by cocaine addiction, and it is through the use of drugs that the narrator starts to feel at ease with his sexuality in public (Bayly (1995, 25–30)). In many ways, it continues the narrative of No se lo digas a nadie: the setting is now the privileged young man’s world of the Universidad Católica and the social scene of fashionable Miraflores. When in the chapter ‘Lima gay’ the narrator decides to visit the gay scene (el ambiente) on offer in Miraflores (the Parque Kennedy, the Café Haití, the beachfront Costa Verde and the bars Escrúpulos, Studio One and Tarot), he is disappointed by what he finds.

Hence, being ‘out’ must produce the closet again and again in order to maintain itself as ‘out’. In this sense, outness can only produce a new opacity; and the closet produces the promise of a disclosure that can, by definition, never come. In the three novels coming out/‘telling’ can be given three readings: (1) a close examination of the texts (in terms of gay/lesbian studies) shows the impossibility of coming out or even ‘telling’; (2) an autobiographical reading would have shown Bayly, until recently, living a (heterosexual) family life in Miami, though he has since spoken out and defended gays and is now openly bisexual; (3) a queer theory-related reading would emphasize the textual subversion of sexual/gender categories in conjunction with aesthetic playfulness, particularly in La noche es virgen.

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