By Ellen Hopkins
Enthusiasts of the literary phenomenon often called the Twilight sequence can’t aid short of extra. a brand new sunrise offers it to them, inviting readers to hitch a few of their favourite YA authors as they appear on the sequence with clean eyes and fall in love with Edward, Bella and the remainder of Forks, Wash., far and wide again.
Edited by way of bestselling writer Ellen Hopkins, a brand new sunrise is jam-packed with a similar debates readers interact in with acquaintances: should still Bella have selected Edward or Jacob? How a lot keep watch over do Meyer’s vampires and werewolves rather have over their very own lives? the gathering additionally is going extra: Is Edward a romantic or a (really scorching) sociopath? How do the Quileute werewolves evaluate to different local American wolf myths? What does the Twilight sequence have in universal with Shakespeare? With contributions from Megan McCafferty, Cassandra Clare, Rachel Caine and lots of extra, a brand new sunrise solutions those questions and extra for a youngster (and adult!) viewers hungry for shrewdpermanent, view-changing observation on...
Read or Download A New Dawn: Your Favorite Authors on Stephenie Meyer's Twilight Series. Completely Unauthorized PDF
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Additional resources for A New Dawn: Your Favorite Authors on Stephenie Meyer's Twilight Series. Completely Unauthorized
Common sense told me I should be terrified,” Bella notes as she reconciles these different facets of the boy who has captured her heart. “Instead, I was relieved to finally understand. And I was filled with compassion for his suffering, even now, as he confessed his craving to take my life” (Twilight). This is the crux of Edward, and perhaps the key aspect of him that moves Bella so deeply and so thoroughly. He is in many ways a monster, and he definitely has violent and unspeakable urges. He makes mistakes, and he takes reckless chances, some of which jeopardize the very people he so wishes to cherish and protect.
Well, Twilight is a little like Romeo and Juliet, except one of the pair is already dead. Meyer nods to this by opening New Moon with a quote from the play. Within the first chapter, Bella and Edward are discussing the similarities (sort of) between their relationship and that of Shakespeare’s star-crossed lovers, and I’m patting myself on the back for my masterful insight. It’s the parallels to Shakespeare’s play that keep readers turning pages. One of the strengths of Bella and Edward’s story, at least for me, is that, for the first three books, it never loses the sense of jeopardy.
As it stands, because they choose to live in luxurious fashion, the Cullens must lie by action, word, or omission on an almost daily basis. That much is their choice—and it is for personal profit and pleasure. When Edward first saves Bella’s life in Twilight, he lies about aspects of that as well. ” Bella inquires. “I was standing right next to you, Bella,” Edward responds, even though he was clearly beside his own vehicle as the accident began to occur. He then tries to deflect Bella’s suspicion and curiosity at the hospital by first lying about the fact that he promised to give her an explanation, then treating her with derision when she relates her version of the accident.